Jordi Cervelló, a violinist and composer, passed away this morning, Friday, at the age of 86, according to the Figueas Hospital in Girona and the Boileau Music Publishing House, which informed Europa Press.
Jordi Cervello passed away at 86
According to hospital sources, Cervelló’s death was brought on by a pneumonia-related complication for which he had spent a week in the hospital.
About Jordi Cervelló
His work has revolved around the violin and string music in general since his October 18, 1935, birth in Barcelona. Offering to Franz Schubert for string orchestra and a capriccio for solo violin, both from 2022, are among Cervelló’s most recent works and are dedicated to the Polish musician and composer Grayna Bacewicz.
“Its name is quite significant. She has inspired me greatly. I discovered one day while reviewing her scores that most of what she wrote mirrored what I did. It’s unfair that she’s less well-known than Penderecki “On Bacewicz, he gave Cervello reassurance.
Jordi Cervelló education
Jordi Cervelló started taking violin lessons at the age of six with Rosa Maria Faria, who also taught the poet Maria Concepció Garriga. Later on, he studied with Joan Massià, and in 1957, he travelled to Milan to complete his studies with violinists Franco Tufari and Eugen Prokop.
Years spent in Italy were crucial for Cervelló, who was greatly influenced by the nation’s vibrant cultural scene and music scene. Nevertheless, a car accident in Rome in 1960 altered his course: he was forced to give up his profession as a violinist and chose to focus on composing instead.
Initial phase of Jordi Cervelló’s career
Jordi Cervelló started taking violin lessons at the age of six with Rosa Maria Faria, who also taught the poet Maria Concepció Garriga. Later on, he studied with Joan Massià, and in 1957, he travelled to Milan to complete his studies with violinists Franco Tufari and Eugen Prokop.
Years spent in Italy were crucial for Cervelló, who was greatly influenced by the nation’s vibrant cultural scene and music scene. Nevertheless, a car accident in Rome in 1960 altered his course: he was forced to give up his profession as a violinist and chose to focus on composing instead. Secuencias sobre una muerte (1970), which was later recorded by the London Royal Philharmonic Orchestra under the direction of Antoni Ros Marbà, earned him the Ciutat de Barcelona prize, while compositions like Anna Frank, a Symbol (1971) solidified his musical calligraphy. The two are a component of Cervelló’s compositions that confront “human violence in all domains,” which are his more socially conscious works.
Jordi Cervelló poetories
A famous creation by Cervelló, Towards the Infinite (1982–1983), a symphonic poem inspired by The Infinite, one of the lyrical high points of the poet Giacomo Leopardi, shares a spirit with Forms for an Exhibition.
The string quartet Remembrances, Un canto a Pau Casals, La seixta noche (for guitar and orchestra), Divertimento 2002 (commissioned by the OBC), Lux et umbra (premiered at the Teatro del Hermitage), and a score of whims for solo violin are among Cervelló’s other notable works.
Jordi Cervelló achievements
In 2006, the Generalitat gave Cervelló the Creu de Sant Jordi honour. His songs, “of remarkable depth and inspiration, in which his exceptional mastery of the strings emerges,” earned him the National Music Award in 2010.
His pieces, such as “Fantasia Concertante,” “Formes per an exhibicion,” and “Concert per a viol I orchestra,” were performed for the first time by the Orquestra Simfnica de Barcelona I Nacional de Catalunya (OBC) last year at L’Auditori de Barcelona.
Jordi Cervelló on his achievements
The first prize in the Permanent Contest of the Ministry of Education and Science in 1976 for, written in cooperation with the physicist Jorge Wagensberg, with whom he also collaborated on Forms for an exhibition (1999), a work on the eight most common forms in nature, stands out among the honours he received in the 1970s.
“The symphonic work, in my opinion, has performed the best. It is the most diverse, with eight distinctly separate movements and eight distinctly different compositional methods, according to Cervelló.
The tape was created in Saint Petersburg in 2003, although it has never been performed publicly. Recently, I said to Robert Brufau, the Auditorium’s director, “You, we debut this before I die.”” It finally made its debut.
Versatile personality of Jordi Cervelló
Jordi Cervelló was not only a composer but also a teacher and a music critic for El Pas from 1981 until 1989. He was awarded the Creu de Sant Jordi in 2006 and the National Music Award in 2010 for his overall body of work.
In the two years between 2010 and 2011, Cervelló composed a sizable number of works of various genres, including Nature-Antinature for symphonic orchestra, Piano Concerto, Duo Sonata, Ka-din e Il Diavolo for violin and piano, Entre deux for viola and violoncello, Trumpet Sonata, 4 Intermezzi for piano, and the Saint Petersburg quartet. Il Diavolo made its debut on November 16, 2011, in the Weill Room of The Carnegie Hall in New York.
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